Showing posts with label Book Review. Show all posts
Showing posts with label Book Review. Show all posts

Thursday, June 06, 2013

Book Review: Land of The Seven Rivers

Geography as history

History can be very dangerous because our interpretations are invariably coloured by our ideological worldview. So let me state right at the outset that the JNU school of historians are not going to like this book. The Land of the Seven Rivers: A Brief History of India’s Geography by Sanjeev Sanyal is an audacious attempt that tries to bust many beliefs held strongly in traditional (read Marxist) interpretations of Indian history. For example, the author tries to argue that the Aryans were not invaders but people who originated in India and that the ancient Rig Veda is coterminous with the Harappan civilization. Believe me, hackles will be raised at this!

In any case, I have failed to understand the animosity and hostility between the JNU school of history and the, for want of a better term, the ‘Internet Hindu’ school of history. At their worst, both reveal closed minds and prejudices winning over curiosity. Frankly, I tend to laugh when exponents of Hindutva fashion Indian history though their blinkered eyes, invoking a great culture and civilization of yore when much of the world was hunting and gathering. I think that is taking jingoism a bit too far. For that matter, I also laugh when the more committed members of the JNU tribe dismiss everything to do with Hinduism or Indian civilization as hogwash. I think that is carrying Marxism a bit too far. The truth, as always, must surely lie somewhere in between these extreme positions. I had always thought that keeping an open mind should be the most important qualification for a social scientist! I mean, if theories held sacred even in pure sciences can be found to be untrue by subsequent flashes of genius and discoveries, why can’t the same be true of social sciences?

Take the case of economics. Till 1929, classical economics had unwavering faith in the ability of markets to produce the best possible outcomes. Advocates of this school of passionately believed that free markets lead to fill employment. Then came the Great Crash of 1929 and the subsequent depression when Capitalism faced a crisis of survival. John Maynard Keynes upended the whole structure of classical economics by arguing that markets can fail and government intervention is necessary when economies stagnate. The Keynes school of thought held away till the Reagan and Thatcher revolution of the 1980s when the markets and the pursuit of self interest once again became the reigning deities. Greed is Good became the new mantra till 2008 when Capitalism once again imploded and free market prophets were once again exposed as charlatans.

Surely something similar must happen with interpretations of Indian history? What Sanyal argues in his book about the amazing continuity of the Indian civilization is something that is accepted even by the less strident votaries of the JNU school. Of course, only the ideological hard balls would suggest that India even in ancient times was a political entity in terms of geographical boundaries and systems of governance. Like now, India then too was probably a cacophony of ideas, languages, ethnic backgrounds and a sense of belonging. And continuity is something which we cannot ignore. For example, Sanyal points out how the ox or the bullock cart has been continually visible in India right from the Harappan times to the 21st century. He also points out how the Gayatri Mantra could well be something many Indians have been chanting unchanged for about 4000 years or so. He spends considerable time trying to make sense of the still prevalent myth about the mighty river Saraswati. Sanyal tentatively concludes his quest for Saraswati by arguing that the nondescript river Ghaggar that runs through Haryana was once the mighty Saraswati till geography changed its destiny, and that of the Indian civilization. Not convinced? Even I am not and would wait for more credible evidence.


Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri
For More IIPM Info, Visit below mentioned IIPM articles
2012 : DNA National B-School Survey 2012
Ranked 1st in International Exposure (ahead of all the IIMs)
Ranked 6th Overall

Zee Business Best B-School Survey 2012
Prof. Arindam Chaudhuri’s Session at IMA Indore
IIPM IN FINANCIAL TIMES, UK. FEATURE OF THE WEEK
IIPM strong hold on Placement : 10000 Students Placed in last 5 year
BBA Management Education

Wednesday, June 05, 2013

Book Review: Sunshine Lanes

Words worth the weight

A poetic journey indeed! There aren’t too many contemporary Hindi film lyricists who can legitimately lay claims to being a poet to boot. Prasoon Joshi’s Gulzar-like portrait on the cover of this book, the right temple of a pair of spectacles dangling from a corner of the mouth completes the pensive image of a man who has successfully steered clear of the crassly commercial aspects of his calling and survived to tell the tale.

Sunshine Lanes – A Poetic Journey, which was formally launched at the Jaipur Literature Festival earlier this year, is a collection of some of Joshi’s best songs, printed here in the Devanagari script with the English translations alongside. Each lyric has a story behind it, which explicated in the writer’s own words.

The book, which also includes some non-film compositions and poems, provides an insight into the overall creative process of lyric-writing, besides specific anecdotal details about Joshi’s professional interactions with frequent collaborators like AR Rahman and Shankar-Ehsaan-Loy.

In a preface, Joshi provides a brief overview of his formative years, the influence of which still lives on in his lyrics and poems. It, however, only whets the appetite – does not quite satiate it. Both the ‘writer’s comments’ at the end of each song and the aforementioned preface seem all too pithy to do complete justice to the storehouse of stories that Joshi must be privy to.

Yet, Sunshine Lanes throws just about enough light on the man and his craft to be regarded as an important addition to books about Hindi film music. Lyric writing is central to the evolution of a song and the lyricist has a unique vantage point from where he can view the creation of a film song in its entirety, both subjectively and dispassionately.

Joshi brings his acumen as a writer to bear upon the ruminations. Not only does his book elucidate the elements that constitute a film song, it also explains, if regrettably only in passing, the significance of each of the songs included in this selection, in terms of specific words and lines, or as a whole.

“I am often asked what makes for a beautiful song,” he writes. “What came first, the tunes or the words? For me, a soulful song is one that makes it impossible to decipher this, where there is no overt competition between the music and the lyrics – one that is just a beautiful blend.”              

Joshi does not work in a vacuum. He is conscious of the history of the film song and his own place within its evolutionary continuum. He knows that the quality of lyric writing is currently at low ebb in Mumbai, with the emphasis being firmly on ‘entertaining music’, but he is not willing to write off his fraternity.

He, however, believes that “if this trend continues and the staple and ‘instantly understandable’ songs are demanded and settled for most of the time, the space for experimentation will continue to diminish progressively.”
 
Joshi has been chipping away relentlessly at the shibboleths. As the lyricist of some of the finest film songs of our times, he knows exactly what it takes to make instant connect with the masses without undermining the creative essence
of a lyric.

“Writing lyrics hasn’t been and is not my profession. It’s a passion,” writes Joshi in the preface. It is passion that shields him from the detrimental pressures that less creatively fortified lyricists are vulnerable to in the Mumbai movie industry.

Joshi has a day job. He makes a living as an adman of repute and stature – he is the executive chairman and chief executive of McCann World Group, India and president, South Asia. So he does not have to write Hindi film songs to pay his bills. He can afford to cherry pick his assignments and work only with those with whom he can relate as a writer. He can afford to be an outsider while being an integral part of the industry.

Joshi is acutely aware of the constraints and challenges of his craft. “Writing lyrics for films is like walking a tightrope – one cannot be vague and excessively symbolic like in poetry, but at the same time, the mystique and beauty should not be compromised. Striking the right balance is critical.”

He has been doing just that ever since he wrote his first film lyrics for Rajkumar Santoshi’s Lajja at the turn of the millennium.


Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri
For More IIPM Info, Visit below mentioned IIPM articles
2012 : DNA National B-School Survey 2012
Ranked 1st in International Exposure (ahead of all the IIMs)
Ranked 6th Overall

Zee Business Best B-School Survey 2012
Prof. Arindam Chaudhuri’s Session at IMA Indore
IIPM IN FINANCIAL TIMES, UK. FEATURE OF THE WEEK
IIPM strong hold on Placement : 10000 Students Placed in last 5 year
BBA Management Education